This is not an easy image to use, probably won't generate frequent sales, and as such is better suited to a Rights Managed licensing model.
A cannibal cow? This humorous Holstein could be saying “It’s an acquired taste…”, or “Chicken or Fish?”. Whatever the caption, I just love the image (of course, it could be that I am just too “close” to the image to get an accurate take on it). It did take me two days of Photoshop to complete, which is a lot longer than I am used to. Cows are hard!
A Rights Managed Image
This is one of those images that has been on my mind to do for some time…like about two years. It isn’t one that I have an easy time figuring out who could use it and for what. I do feel confident that creative art directors and designers will find a way to use it. But again, it probably isn’t going to be the kind of image that generates a lot of sales, and with a lot of production involved, I will be submitting this as a Rights Managed image.
Shooting The Components
As for shooting the components, I originally photographed the Holstein dairy cow for a humorous greeting card image. I no longer remember when or why I shot the grass. The sky I shot in New Mexico for my archives, the grill fork I manufactured from a carving fork I had in my prop collection and the barbecue normally sits in my side yard at home but got a good cleaning for this shoot.
Cropping Formats, Copy Space And Extra Cows
In an attempt to make the image as easy to use as possible for potential users I composed it to work with any cropping format and included plenty of copy space. I felt like placing the two cows in the background added a sense of depth and a little complexity. The risk is that someone might want to use the image without them. I tried to place the cows where they could be cropped out for a vertical use of the image, say for a magazine cover. I also had mixed emotions about the cloudy sky. The clouds make it more difficult to read any type that might be placed over the image, but every sky I tried without clouds just lacked pizzazz.
Digital Composites, Change, And Breathing
By the way, as much as I like this image, it may yet change. One of the good things, and the bad things, about digital composites is that you can keep changing them forever. As a matter of fact, I have found that anybody I ask about my images can almost always find something to change…that old “yes but…” thing. So if I get enough negative feedback I may modify it again. With that in mind I wont rush to get the image in to an agency…I’ll give it a little time to “breathe”, which is actually a good policy in general.
you always come up with the most creative ideas....awesome!
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