There is gold at the end of the stock photo rainbow for those who approach their shooting with discipline and thought.
My Top 100 Images For 2012
I recently took a very close look at my stock photo sales
for 2012. One of the more interesting things was that of my top 100 selling
images, thirty percent (well, okay, it was actually 29%) of them were created
before 2005 (which is as far back as I have been keeping track of sales). That
seems pretty significant to me. That figure includes my sales from Blend Images, Getty and Corbis.
Endless E+ Images And Search Algorithms
That high number of long-in-tooth images seems even more
impressive when I look at the seemingly endless number of E+ images that fill
page after page of search results on the Getty site. With so many images
competing for search slots how the heck does anyone ever see any of my
images? The answer has to be that
the search algorithms Getty and others use do take into account an images’
sales history, and possibly even the photographer’s body of work as well. It
sure would be nice if we could see behind the curtain once-in-a-while whether
or not it would help with our sales!
Market Needs And Production Value
So what can we individual photographers do to make those
algorithms work for us? Well, there really isn’t a whole lot we can do, which
makes it that much more important to focus in on those things we can do.
Certainly it is obvious that the more quality we put into our images the better
off we will be. In this case quality can be production value as well as
relevance to market needs. Actually, making sure your image is something the
market needs probably is even more important than high production value! The
trick here is to not let your perception of what the market needs inhibit your
creativity. I believe it is also vitally important to edit really tightly and
not water-down the over all quality of your body of work.
Improving Agency Sales
Another thing we can do is get our imagery up on our web
sites with links to work on the agency sites. I get around twenty visitors a
day that find my work via the Internet and then click on through to whatever
agency is handling the image they have found. While I can’t track what
percentage of those visitors actually license images some of them do, and when
they do it is a double bonus because the image they license moves up in
importance. When you think about
it, having a website that can help drive traffic to your images, even on agency
sites, is one of the few things we can actually do to improve our agency sales.
In fact, I am currently having my own site “tuned-up” to provide, hopefully, a
better user experience as well as better SEO. Should have that up in about a
week or two.
Success In Stock Photography
I really believe that success in stock photography
necessitates images that have a long life span. So my mantra is creating photos
that are relevant to the market, have a high production value, and resist
becoming dated. My own recipe for
success also includes diversifying my images as much as I can (the limiting
factor being that it has to be something I enjoy creating) and diversifying in
terms of agency distribution.
Gold At The End Of The Rainbow
If there is gold at the end of the stock photo rainbow (you
knew I had to work that in), the only way to get there is by having the
discipline to create new work necessary to ensure maximum visibility.
